Transcript
WEBVTT
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This is a Renew Original Recording.
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Hello and welcome to Believe in People, a two-time Radio Academy Award nominated and British podcast award-winning series about all things addiction, recovery, and stigma.
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My name is Matthew Butler, and I'm your host, or as Alexia, your facilitator.
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Today on Believe in People, I'm joined by Cheddar Racket, one of the UK's most distinctive emerging voices in rap, also known as the Black Kot.
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Born and raised on a council stainable, Chader grew up in a couple of two worlds: Nigerian home and British identity outside.
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That tension shaped how he saw himself, how others treated him, and the stigma he carried from a young age.
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In the same year, Chader went to prison and to university, a contradiction that captures the reality of his life at the time.
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We talk openly about drugs, alcohol crime, and stigma, and the turning points that forced him to change course.
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Since then, Chedo has gone to perform at Glastonbury, open for cold play and support Skepto and his well-taught, without ever leaving his roots behind.
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We begin today by talking about dual identity and how growing up between cultures shaped Cheddo from the very start.
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And I think it's something that I battled with for quite a long time, to be honest.
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You know, having them Nigerian expectations and my household being so Nigerian, and then when I step out onto the estate, it's it's a little bit of a different world.
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I'm going into my mates' houses, they're speaking to their parents a certain way, and doing and and demonstrating behaviours that really were quite alien like in my household.
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So it was always a bit of a battle.
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And I just wanted to fit in.
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I wanted to be like everyone else.
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Didn't want to be ostracised for my differences.
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Do you know what I mean?
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And when you're you're black, you're Nigerian, you're you're under you're under sort of a it's I don't know, like the eyes are always on you, do you know what I mean?
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Like I say, I was always tall, obviously I'm black, I'm on this rough council estate, and like I said, I just want to fit in.
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Because you mentioned just before we started, when we talked about that, being, you know, the the height you are as well as recognisable as you are, is a bit of gift of a gift and it's like.
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Gift and a case, most definitely.
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Obviously, I'm recognisable.
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Yeah.
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There's not many six foot seven black kids roaming around in hull, especially back then anyway.
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Obviously, I wasn't six foot seven when I was younger, but I've always been tall.
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So it's always been, yeah, that's Chadu.
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But then if anything ever kicked off, I was always the first one to get the blame.
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I was always the first one to get recognised.
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I couldn't do a lot of the things that my mates could do because I'd just get recognised and I'd get caught and and and dicey situations would happen.
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But yeah, it took me a while really to admit this balancing act.
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I was never really I was never ashamed to be black, but maybe I was a little bit ashamed to be Nigerian.
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Even though I was born in the UK, but I'm Nigerian, my name Chedu.
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It means the Lord is the Lord is my shepherd.
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Or Raqqa.
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These are proper Ibo Nigerian names, so I can't hide the fact that I'm Nigerian and black.
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But I did used to sort of hide the fact or want or just what like I say, it goes back to just wanting to be accepted.
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Do you know what I mean?
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Because people would sort of ridicule and set the Mickey.
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Like, so like say for an example, my house.
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My house doesn't really smell the same as a a normal I say normal British person's house.
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Because just because of the foods that my mum was cooking.
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Do you know what I mean?
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So people and even the foods we were eating, some of my white friends would sort of like turn their nose up or and and and you know what?
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I'm I'm not I look back now and I'm not angry.
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It was just new to them.
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They had never seen it either.
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It's not your usual bangers of mash.
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I was gonna say, it's not chicken noodle noodles and chips, isn't it?
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I mean not beans on toast.
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Obviously, we had we we did have their meals as well.
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Of course we had their meals as well, but obviously our mum's Nigerian, so she's gonna cook Nigerian food.
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So, like I say, some of the aromas were a bit different.
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She's cooking crayfish and and and pounded yam and just like okra soup and meat, these dishes that I I love, I love them.
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These were my favourite meals growing up, but to my friends, when they're coming in, it's a bit mad to them.
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Do you know what I mean?
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And then my mum's cooking, like she's getting like fish from the fishmongers, and she's cutting the fish, and the house is just stenching of fish.
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Like my mates are thinking, oh, that's just a bit mad.
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And like they're going in the kitchen and they're just seeing like a fish head boiling in the water, and it's just a bit mad to them.
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But these are the little cultural things that made me feel a little bit different.
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I just didn't like it.
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I just didn't, and then even wearing traditional Nigerian clothes, I remember when we used to go to church and my mum used to like make us because my mum's like a proper proud Niger woman, so she's like, Yeah, you're not forgetting about your heritage and your culture.
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So when we're going to church and we're dressed in the Nigerian get up and we're walking through the estate, and people are like laughing, like, oh Chedo, why are you wearing a dress and stuff like that?
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You know, I mean, and it sounds it's you know it's really funny now.
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But at the time but at the time, I hated it.
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Because in those teenage years as well, like perception of your peers is so important.
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It's like you put it up there amongst I think just about anything.
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You want you want your mates to think that you're ah, it's all you care about is reputation.
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And like, I mean, obviously for you it'll be a bit different based on your career as a as a musician, but for me, I found that the older I got, the more I wanted to hide away from reputation.
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Yeah, I want people to hear my name and know exactly who they're on about.
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I want to be known less.
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You even got to like sometimes, obviously, when you'd have like you might have like a substitute teacher in class, and your name comes on the register, and obviously to save the embarrassment, you'd say your name for it.
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So they don't mispronounce it.
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So they don't mispronounce it, because when they mispronounce it, everyone's gonna start laughing and start saying.
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Yeah, yeah, yeah.
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It's just real little real little things like that used to be like they used to like really make me feel small and make me feel inadequate, to be honest.
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So yeah, I'd say I used to sort of hide, not hide my Nigerianness, but because I couldn't, like I'd say I can't hide it, but I wasn't proud of it.
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I didn't embrace it.
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Do you know what I mean?
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I'd be like, when people would be saying, like, like when people ask you the question, oh, where are you from?
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And I'd be like, I'm from Hull.
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Yeah.
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And they're like, yeah, but where are you really from?
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That's the question where you're really from.
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And I'd get real annoyed because I'd be like, I'm from Hull, what you want about?
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I'm I'm British, I was born here, blah, blah, blah.
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Where now, if someone asks you where I'm from, I say I'm Nigerian.
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So I've sort of now I embrace my culture.
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I'm so proud to be Nigerian now.
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I'm so proud of my name.
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It's a powerful name.
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What's caused that shift then?
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I think I've just found myself.
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I think before I was lost.
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I was lost, to be honest.
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I wanted to fit in massively, that's all I wanted to do.
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I wanted to just do what everyone else was doing.
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And then yeah, there was just a there was just a switch of energy.
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But it's mad though, because even though I wanted to fit in loads and be like everybody else, I have always been different as well.
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I've always embraced like it's weird, it's it's real, and I know that might not make sense.
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No, no, it's not.
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No, I think I no, what it is is I always knew I was different, yeah, but I wanted to be like everyone else.
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Okay.
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Basically, that's that's the better way to explain it.
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So yeah, but I don't know what the switch was when I just was like, you know what?
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F everyone else, this is Chedow Oraka.
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Like I'm a proud Nigerian boy.
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I was born in Head and Road Hospital, like everyone else, but I'm a Niger boy, do you know what I mean?
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And I come with this Niger energy, and I just don't know.
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I think it was probably when probably un maybe when I left university times, I think maybe.
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Maybe, and when I started like getting more into music and wanting to find my identity as a musician, I think that's when it switched.
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So it took me a while, really.
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I I've it's it's funny you should say that.
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I mean, one of my part of my background, I was a professional wrestler for years.
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Oh, yeah.
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And one of the things that one of my mentors used to say to me was really embrace who you are and where you're from.
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Obviously, I'm British, whole, local lad, but amongst the the British wrestling scene, he said, You've got something where you stand out.
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He said, You're a councillor state on install.
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He went, no one else on the show has that about them.
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What is that like for you as an individual?
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How does that affect you as a as a fighter in quotations?
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How does that affect your character?
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He went, lean into it.
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Yeah, and I think I can kind of see that with you as a musician, probably going through the same turning of the cogs of this is what makes me an individual.
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Yeah like even in the local music scene, you know, that's what makes you stand out to anybody else who will be performing.
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That's exactly what happened.
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I just started leaning into it.
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Hence the name the Black Yorkshire.
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Well, that's what I was about to ask.
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So I just I just lent into it, mate.
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Yeah, with the identity of the Black Yorkshireman, that is a title that does push race and regional identity into the foreground.
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So what made you claim that name, and what does it mean to you to be a visible black role model in a city where there are very few young black boys and men who will see themselves reflected here?
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You know what it is, it's just being like it's truly getting to that stage where I'm comfortable in my own skin, being called the black Yorkshireman.
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I'm black and I'm from Yorkshire.
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It's a stigma and a stereotype that's not really popular.
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So it was important for me to lean in it, lean into it, and it's my selling point.
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Where before, when I was rapping, I used to get real annoyed that oh, I used to think, oh, if I had a London accent and I rapped about certain subject matters, I'd be bigger.
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And I'm real angry, I'm real bitter because they need to respect me.
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And I was just like, you know what?
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Actually, this is my selling point, and this is what makes me different.
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I'm a six foot seven black kid who spits in a Yorkshire accent.
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This is my selling point.
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You have to respect it.
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And if you don't, I don't really want to know you.
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Like, no one wants to be saved the same food all the time.
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You don't want to be just saved bang as a mash every day for Tia.
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Do you know what I mean?
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Sometimes you've got to mix that up.
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Sometimes you've got a bit of you got you might have some chicken dippers, you know what I mean?
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Or change the beer, a little bit fish fingers and traffic on this top.
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You might want to change the mash for some uh for some sweet potato fries, you know what I mean?
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So this is this so I I just learn to be comfortable in my own skin and realise there's no one better at being me than me.
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There's no there's no one out there like Chedow Araka.
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So embrace that and and make that your selling point.
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In terms of you know, going back into that story of creating your characterisation, even down to the selling point and marketing.
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One of the things that my mentor told me is, can you sum yourself up in three words?
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He said, if you can't, you need to go back to the drawing board and think about it.
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And you can do that with the black Yorkshireman, boom, there it is.
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Boom.
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That's it.
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That's it, it's just it says everything.
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Says everything.
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It's such a powerful thing.
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And I just thought about it one time when I was driving home one time from somewhere.
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I think I've been in London, and I was like, yeah, this is the new, this is the new chapter.
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I've been Cherower for time and I'm proud of being Cherower, but the Black Yorkshireman is just different.
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This is me owning my identity of just a black northern kid from a place like Hull, where rap's not even a thing, really, and I've made my own lane and I'm owning it, and if you don't like it, you can do one.
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So, yeah, that's really what the Black Yorkshire represents and what it stands for.
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How did you get involved in the local music scene?
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What attracted you to it, and I suppose what attracted you to just being a you know, following and pursuing being a musician and an artist in the style and genre of music that you're doing as well?
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So music really was always in my house.
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My mum used to throw the best house parties, and my sister, my big sister or big cousin, they were really into music like RB and hip-hop.
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So I was just listening to what they were listening to, and then obviously when I got to a certain age, I started sort of building my own collection.
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My sister had such an amazing CD collection, so I saw her collecting CDs, so I was like, that's what I want to do.
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So I started collecting CDs as soon as I got a little bit of money from my mum or doing chores in the house or anything like that.
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I used to go to HMV or Virgin Megastores or Andy's Records and buy CDs and read read the credits inside and the lyrics and stuff, and that was me.
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I was just sold on it.
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Loved the culture.
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I used to go to Notting Hill Carnival a lot when I was younger.
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I had an Auntie in Stoke Newington, and that's when I sort of first got introduced to grime music.
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And then, like I say, always loved music, always used to like freestyle and stuff and mess about.
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And then I had a good friend, I got to big him up, a kid called Danny Kraft, a kid who I've known for years, he's one of my best friends.
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He was rapping, and I just I just admired him because no one I knew was doing that.
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He's just a white kid, blonde hair, blue eyes, don't look like your stereotypical rapper, but he's just spitting bars and they're absolutely sick.
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And I thought, you know what, you're sick, like you're doing it in a whole accent.
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And I was like, You've you've got the bravery to do that.
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So it gave me the confidence to start doing it.
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So again, I was just freestyling at house parties, and he he sort of said I was good, and for him to say I was I was good, that meant a lot, do you know what I mean?
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And he was uh he said, Oh, why don't you just start writing lyrics down?
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So I started doing that, and then the rest is history, really, and that was probably like oh five, oh five, oh six times.
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So yeah.
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I think the interesting thing is when you do see not so much like you know, singers, but when when you see rappers that have, you know, been able to crack the mould and make it big, you just assume that in a way they was just naturally good at rapping, and it was a natural skill set that they've just capitalised on.
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Was that the case for you?
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Did it come naturally, or was it a lot of work to get to that point where you know what you were saying was actually good, it was drawing people in, you were telling that story.
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How did you evolve into doing it as good as you do now?
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I think it took a lot of practice.
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I always had an all right flow.
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That's that's what I mean.
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It almost seems like you you hear things in you, you just hear people like you know the stories of Eminem when he was like you know, prior to making it, you just think fucking, it was almost like it was just a natural thing.
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Yeah, yeah, yeah.
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Like Eminem's obviously he's a beast on the microphone, do you know what I mean?
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That's like the high echelon of being able to put words together.
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I always had an alright flow.
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When I when I first started rapping, like I said, I was just freestyling, so I was just saying any words and putting them together, and like I say, it always flowed.
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Obviously, the difficult part is actually writing and making words fit properly, subject matters and all that sort of stuff.
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But yeah, I'd say it's took a lot of graft, and to be fair, I'm I don't even think I'm anywhere near my prime yet.
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I feel like I'm gonna keep on getting better at my big age, do you know what I mean?
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So yeah, like, yeah, I'd say it it's not natural for me.
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I'm I'm quite a slow writer as well, because I'm I'm such a perfectionist.
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I don't like to waste words, waste lyrics, I don't like it.
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So it takes me a long time to write bars, to be honest.
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I'm quite, I'm very harsh on myself, even in certain studio sessions.
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It might take me ages to write a 16 bar, but sometimes it might not take me ages, but most of the time it does because I I care about my craft and I want every word to punch.
00:16:04.080 --> 00:16:21.919
As a side note, you know, talking about the difficulty in in writing, I think with the growing existence of AI, how does that play into I'm not saying you use it by any means, but how does like AI written lyrics, music, songs, how does that play into your field of the same thing?
00:16:22.159 --> 00:16:22.799
It's against it.
00:16:22.879 --> 00:16:24.159
It's against everything I represent.
00:16:24.320 --> 00:16:24.960
I can imagine that.
00:16:25.759 --> 00:16:27.120
Have you noticed people using it?
00:16:27.600 --> 00:16:30.000
I mean, no one that I know, but I know it's happening.
00:16:30.159 --> 00:16:30.399
Yeah.
00:16:30.559 --> 00:16:31.519
I know it's happening.
00:16:31.759 --> 00:16:34.000
I'm r I don't even like this thing.
00:16:34.080 --> 00:16:36.879
I think there's like certain apps you can do to have rhyming words.
00:16:36.960 --> 00:16:38.240
Yeah, that's that's cheating to me.
00:16:38.559 --> 00:16:38.799
Exactly.
00:16:39.279 --> 00:16:40.799
It takes all authenticity from it.
00:16:41.039 --> 00:16:42.000
Yeah, that's cheating to me.
00:16:42.080 --> 00:16:50.960
I'd rather it I'd rather spend six days thinking of one lyric than go going on Google and say and searching, oh, what rhymes with hat.
00:16:51.519 --> 00:16:51.759
Do you know?
00:16:51.919 --> 00:16:55.440
I mean, I that's not that's not really it's not part of what I represent.
00:16:56.320 --> 00:16:56.799
Yeah, yeah, yeah.
00:16:57.200 --> 00:17:06.000
I've got to this point with with all with a lot of things in terms of like social media, with art and creativity, that everything I read, it's almost like pretty sure that's AI.
00:17:06.160 --> 00:17:08.720
In everything, you're almost mistrusting of everything these days.
00:17:08.799 --> 00:17:14.319
And I guess I I mean just as an interesting side point, I've often thought, well, how long until it does start?
00:17:14.480 --> 00:17:23.599
I mean, mainstream media, they say it's it's like a factory package pop star has been pushed into the forefront anyway, and you do wonder how much will AI contribute to that in the future as well.
00:17:23.920 --> 00:17:25.039
I think AI is gonna take over.
00:17:25.599 --> 00:17:26.400
I honestly, yeah.
00:17:26.640 --> 00:17:26.880
I do.
00:17:26.960 --> 00:17:31.119
I think it's gonna, especially in the in the creativity and music world, I think it's gonna take over.